If you ever get the chance to love a person who knows grief, do not let them go You see, the thing about grief is that it’s not exclusive it consumes life and it taints everything a little grey It won’t hesitate to remind you that everyone and everything you love will disappear some day But I’ve found that the people who carry grief love with a fierceness that no one else knows They understand what’s at stake because they’ve had to let someone go So they remember the little things and they show up when it counts They know that life is rare you won’t have to spell it out So don’t take for granted the people who know loss for they know more about love because they know what it costs - Whitney Hanson
To most people, Hans Hubermann was barely visible. An un-special person. Certainly, his painting skills were excellent. His musical ability was better than average. Somehow, though, and I’m sure you’ve met people like this, he was able to appear as merely part of the background, even if he was standing at the front of a line. He was always just there. Not noticeable. Not important or particularly valuable. The frustration of that appearance, as you can imagine, was its complete misleadence, let’s say. There most definitely was value in him, and it did not go unnoticed by Liesel Meminger. (The human child—so much cannier at times than the stupefyingly ponderous adult.) She saw it immediately. His manner. The quiet air around him. When he turned the light on in the small, callous washroom that night, Liesel observed the strangeness of her foster father’s eyes. They were made of kindness, and silver. Like soft silver, melting. Liesel, upon seeing those eyes, understood that Hans Hubermann
" E de novo acredito que nada do que é importante se perde verdadeiramente. Apenas nos iludimos, julgando ser donos das coisas, dos instantes e dos outros. Comigo caminham todos os mortos que amei, todos os amigos que se afastaram, todos os dias felizes que se apagaram. Não perdi nada, apenas a ilusão de que tudo podia ser meu para sempre." Miguel Sousa Tavares
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